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Description
Expression piece composed of glass and ceramic decorated with the Majolica technique
This artwork was created by Judith Dubord and Momo the apprentice at the very beginning of the pandemic which hit the whole world in the spring of 2020. The ceramicist Judith Dubord was then at the beginning of her participation in the "100dayproject" challenge during which the participants had to choose a project and complete one step each day, for 100 days. The artist then chose to explore different decorative patterns for her ceramic pieces. Her challenge was to imagine and then draw in pencil or watercolor the ornaments that she would then test on these works.
For many, the motif chosen for the Dissonance vase echoes a graphic vision of the virus. This apparent link is however quite unconscious, since Judith Dubord did not intend to refer to the virus in itself. Within the pattern appears a different element, due to its color. This element, which sets it apart from others, helps to highlight similarities and vice versa. It is through the difference that the rhythm of the other pieces of the motif shines, and it is through repetition that the difference shines in its turn. This desire to "break the rhythm" is also very present in the work of the ceramist in general.
As for them, the 21 pieces of glass were shaped in a flame by Momo the apprentice. They sport a bright flame and intense colors that seem to be trapped in a glass bubble - those famous bubbles that we know well since the pandemic!
The artist
Judith Dubord
Saint-Jean-Port-Joli

My practice in crafts is at first sight formal superimposed on a quest for intimate poetic-playfulness. My choices of materials, clay and glass, imply a passage through fire and a feeling of anticipation induced by their physico-chemical metamorphoses.
The object and the techniques of ornamentation and surface treatments are at the heart of my practice. I research the contrasts and dichotomies between form and decor. The cohabitation between sobriety and fantasy is one of my ways of doing things. I tirelessly explore the fine line between delicacy and disorder. Intimacy, rootedness, volubility and incongruity are my favorite themes. 