The other one
Product Code: SEL-SCU-007
- Availability: This creation is waiting for you!
Description
Large format freestanding sculpture by Sébastien Lajoie
- This work is beautiful from all sides, so it can advantageously be used in the center of a room and thus create a separation effect in a loft, for example.
- Carving on yellow pine sapwood decorated with screen printing on marouflé Belgian linen.
- Black and white pattern with optical illusion effect.
- Solid and discreet metal base.
- Unique work produced in 2021.
- 22 x 10 x 72''
Creation process
His freestanding sculptures are therefore the result of a process of reflection and above all, listening, to find the perfect balance between the fine lines of the screen printing and the raw appearance of the carved wood.
Once this balance was found, Sébastien used marouflage techniques to apply his screen printing to his sculptures and thus create the final result that we can now contemplate!
The artist
Sébastien Lajoie
St-Alexandre-de-Kamouraska
Attracted by physical work and by the acuity of strength movement, I quickly loved the screen printing on textile. I find this feeling there, when the blade passes over the silk with the resistance of the ink, a thick and dense plastisol.
I started by printing abstract patterns on clothes, leading to the creation of Agence Orange 21. I then used canvas mounted on a false frame, printed with rhythmic patterns within a production artistic that I was going to broadcast. Then, I end up developing an interest in textiles, particularly in grain and spinning, which have a great influence on the result of printing. By these details of fabric construction, my "screen-printed" images have been transformed and are more like weaving processes, always imbued with a system and mechanics.
In addition to my screen-printing research, I have always worked with wood, for the same reasons: the physical work of precision and the undeniable trace of action on thought. Wood leaves no chance, especially the stumps of rotten trees, which are always the first pieces to attract me. At the beginning, I worked the material with engravings, allowing me to wrap it, to distort it and make it less organic. Then, I started to use my printed fabrics to dress my sculptures as a designer would.
Sometimes I see huge organic and futuristic buildings, other times the influence of African art ... I like that my creations have several languages and several impressions at the same time.
Marriage, contrast, paradox and sensitivity, so many possibilities open up to this search for transcendence over matter, over color, in connection with this association of wood and textile according to principles of construction and mechanics in an esthetic determinant.
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